Brice Brown is an artist and writer living in New York City and Bath, UK. His work has been exhibited nationally and internationally, and reviewed in The New York Times, Artforum, Art in America, ARTnews, NPR, and The Village Voice, among others. He has held residencies at Yaddo, Virginia Center for Creative Arts, and the Vermont Studio Center, and has been a visiting artist/lecturer at Bucknell University, Dartmouth College, Carnegie Mellon University, Williams College, and Drew University. Brown’s work is held in public collections including the Speed Art Museum, the Baltimore Museum of Art, Dartmouth College, Swope Art Museum, and Yale University. Brown was a regular art critic for the New York Sun (2006-2009) and for City Arts (2009-2010). He founded Milton Art Bank (2017), a museum and publishing house located in a converted bank building, and has launched two arts journals, The Sienese Shredder (2006-2010) and Tether (2015-2018), both with Trevor Winkfield. He received a BA from Dartmouth College, an MFA from Pratt Institute, an MA from Bath Spa University, UK, and has studied at the Chautauqua Institute School of Art. www.bricebrown.com

Paul J. Botelho is an Azorean-American composer and performer. His work includes acoustic and electro-acoustic music, multimedia installation pieces, visual artworks, vocal improvisation, and several one-act operas. He performs as a vocalist (countertenor) worldwide, primarily through extended vocal techniques. His recent work explores vocal responses to composed and prerecorded sonic environments and includes LAF (West Lafayette, IN, 2024), In Moscow We Marched (Moscow, Russia, 2019-20), and Visby Project (Visby, Sweden, 2017-18). His work has been performed, presented, and exhibited in concerts, festivals, galleries, and museums across the world. Botelho received a Ph.D. and MFA in Music Composition from Princeton University, an A.M. in Electro-Acoustic Music from Dartmouth College, and a BFA in Contemporary Music Performance and Composition from the College of Santa Fe. Botelho has taught at Tulane University and Loyola University New Orleans and currently teaches music composition at Bucknell University. www.pauljbotelho.com

Douglas Dunn is a New York-based dancer and choreographer working since 1971. He was a member of the Merce Cunningham Dance Company from 1969 to 1973, and a founding member of Grand Union, the non-rehearsing troupe that rollicked from 1970 to 1976. Following his own duet, solo, and film work in the 1970s, he formed Douglas Dunn + Dancers in 1978, and in 1980 set Stravinsky’s Pulcinella on the Paris Opera Ballet. He is Board Member Emeritus of the New York City presenting organization Danspace Project. He likes to collaborate with poets, painters, sculptors, musicians, composers, and playwrights to offer a multifaceted theatrical experience. In 1998 he was awarded a New York Dance and Performance Award (Bessie) for Sustained Achievement, and in 2008 was honored by the French government as Chevalier in the Ordre des Arts et des Lettres. While continuing to lead Douglas Dunn + Dancers, he teaches Open Structures at New York University’s Steinhardt School of Culture, Education, and Human Development, and presents salons at his studio at 541 Broadway in Manhattan. His book of collected writings, Dancer Out of Sight, is available at amazon.com. douglasdunndance.com

Steve Gibson is the founder of Creature/Feature Design. He has been creating large-scale art and making monsters and fantasy characters out of paint, clay, latex, silicone and foam for more than 30 years. As a self-taught artist, Gibson enjoys sharing his knowledge with anyone wishing to gain a broader approach to their own personal style. In 2016 he founded The Arts Underground in Lewisburg, PA, a unique, collaborative space for local artists. In 2021 he created Art Academy of Milton, which serves the Central PA Valley in all things art, theater performance, and music. He has taught classes in sculpting, painting, graphite, mural creation, and portraiture. His award-winning video work can be seen in the feature films The Feed (2010) and The Lost Within (2017), as well as numerous shorts, music videos, and commercial projects. Clients include Transitions of PA, Campus Theatre LTD, Habitat for Humanity, Bucknell University, Bloomsburg Theatre Ensemble, and dozens of retail, online, corporate, government, and independent agencies. Gibson is a published writer, cinematographer, producer, director, audio designer, and editor, who also happens to dabble in fine art photography. creaturefeaturedesign.com

DANCERS

Jules Bakshi has been dancing with Douglas Dunn & Dancers since 2010, and was the managing director of the company until 2018. She is the founder of GOOD MOVE,  a dance and mindful fitness studio for movers of all levels genders shapes and sizes, in Williamsburg, BK.  Her own choreographic works have been performed live at NYC venues including the 92nd St Y, The Brooklyn Museum, The National Academy Museum, and National Sawdust (with madame Gandhi), and she has choreographed music videos for recording artists like the late Mac Miller, Matt and Kim, Muscle Memory, and Chiara Angelicola. She has danced, taught, and toured with Pilobolus, Daniel Gwirtzman Dance Company, and others. (BODY / SHADOW performances: Oct 2023, February 2025)

Mississippian Cemiyon Barber received his BFA from SUNY Purchase in 2018. He has had the pleasure of dancing works by choreographers Bill T. Jones, Kyle Abraham, Johannes Wieland, Aszure Barton, Christopher Williams, Liz Gerring, Marjani Forté-Saunders, Chase Brock Experience, Igal Perry, Merce Cunningham, and George Balanchine. In the spring season of 2024, Cemiyon joined the Metropolitan Opera. Cemiyon has been featured in fashion editorials VOGUE Russia and Numéro Berlin, and he has also made guest appearances on TV networks PBS Social, HBO, Telfar TV, and MTV. Cemiyon was mentioned in The New York Times twice in 2021 and 2022, as well as in The New Yorker in 2017, 2021, and 2022. (BODY / SHADOW performances: Oct 2023, February 2025)

Jay Beardsley is a nonbinary dancer, multimedia artist, and teacher currently based in Brooklyn, NY. They work and perform with Ballez (Company Artist), TheRedProjectNYC/ Johnnie Cruise Mercer (Media Artist and Movement Ensemble Artist), Katerina & Jay (Co- Artistic Director and Founder), GREYZONE (Grants Assistant), Cornfield Dance (Co- Administrator), and MICHIYAYA Dance, among other freelance projects. Jay also creates their own work and has been produced by organizations such as Movement Research (NYC), Performance Mix Festival (NYC), Proteomedia (NYC), Dance Place (Washington, D.C.), and Dogtown Dance Theatre (Richmond, VA). Jay is also a teacher of movement and theater at various local venues and within the NYC DOE schooling systems. Jay attended Virginia Commonwealth University, graduating in 2020 with an Outstanding Choreographer award and the Bobby Chandler Award for Theatre and studied with and performed works by the likes of Jenna Riegel, Trebien Pollard, André Zachery, MK Abadoo, Christopher K. Morgan, and Scott Putman along with many other valued guest artists and faculty. Additionally, Jay has deepened their performance research through a multitude of workshops and intensives with artists/ organizations including Sidra Bell, Kristopher K.Q. Pourzal, and American Dance Festival. jaybeardsley.com (BODY / SHADOW performances: Oct 2023)

As a dancer, Alexandra Berger has worked professionally in New York since completing her BFA at The New School in 2003. She has had the privilege of dancing for and with, among others, Pat Catterson, Ellen Cornfield, Merce Cunningham (RUG 2007), Douglas Dunn, Rachel Monosov (Venice Biennale 2017), Roz Newman, Sally Silvers, Dǔsan Týnek, Vanessa Walters, and Matthew Westerby. Huffington Post named her performance in Týnek’s Logbook as one of the best performances of 2016, and she has had the privilege of touring to myriad venues throughout the U.S. and abroad. She has been a member of the faculty for adult classes at the Mark Morris Dance Center since 2007 and is also an authorized teacher of Cunningham Technique® with the Cunningham Trust. A certified practitioner of the Gyrotonic Expansion System® since 2005, Alexandra earned her MSW from Fordham GSS in 2023 and is licensed in New York State. Her time at Fordham included internships with AHRC/NYC and the United Nations. With interests varying from military and indigenous populations to dancers and elite athletes, as well as the many-layered impacts of climate change, Alexandra is most drawn to our shared human experience. She continues to investigate how the arts can intersect with other fields to improve our systems for a healthier and more inclusive society. With gratitude for Douglas's continued trust in her dancing, www.fullcirclebk.com. (BODY / SHADOW performances: Oct 2023, February 2025)

Payton Brewster graduated in 2024 with a Masters Degree in Teaching Dance in the Professions at New York University Steinhardt. She received a Bachelor of Fine Arts in Dance from New York University Tisch School of the Arts in 2023 and a minor in Business of Entertainment. Throughout her training, Payton has performed work by many artists including Trisha Brown, Spencer Theberge, Talia Favia, Chaz Buzan, and Martha Nichols. She was also a rehearsal assistant for repertoire by Bill T. Jones performed by Second Avenue Dance Company. A South Florida native, Payton formally trained at Alexander W. Dreyfoos School of the Arts and Dancetown. Payton is currently a strength training coach at Solidcore. (BODY / SHADOW performances: Oct 2023, February 2025)

Dwayne Brown is a native New Yorker. He trained at The Ailey School, The School of American Ballet, and received a B.A. in Psychology from Vassar College. As a professional dancer and performer his credits include: (Theatre/Stage) The Metropolitan Opera, San Francisco Opera, The Kennedy Center, Lyric Opera Chicago (Soloist), Carnegie Hall (Principal); (TV/ Film) She Came To Me (Round Films), At Home With Amy Sedaris (TruTV), The Get Down (Netflix), NYC Summer (FX), Great Performances at The Met (PBS); (Commercial) NYFW, Mount Gay Rum, Stadium Goods, The Consistency Project; (Modern Dance) Bill T. Jones/AZ Co., Ralph Lemon, Kevin Beasley, Sean Curran, Reggie Wilson, and Douglas Dunn. Recent credits include: Le Prophète at The Fisher Center and MoMA PS1. Upcoming: Aida at The Metropolitan Opera and Skirball with Sean Curran Company. He is represented by Clear Talent Group. In addition to work as a performing artist, Dwayne is a Teaching Artist for New Victory and DreamYard Project, Inc. He is also the Stage Manager for ArtBath NYC, an immersive performance salon series at the historic Blue Building. (BODY / SHADOW performances: Oct 2023, February 2025)

Janet Charleston first joined DD+D in 1993; she works with the company as Dancer, Rehearsal Director, and Company Manager. She also danced with the Lucinda Childs Dance Company for many years and performed in the second world tour of Einstein on the Beach. She currently dances with DD+D, Baye & Asa, and Christopher Williams, and looks forward to performing this year in the works of Hilary Easton, and Megan Williams. She has worked with an array of other artists including Stanley & Alec Knight, Chamecki/Lerner, Kota Yamazaki, David Parker, RoseAnne Spradlin, Stephen Koester, June Finch, Leslie Satin and Beverly Blossom. Invited by Merce Cunningham to teach at his studio in 2001, she currently teaches for the Cunningham Trust, Mark Morris Dance Center and Sarah Lawrence College. She is on faculty for the Cunningham Technique® Teacher Training Program. Other teaching engagements have included Barnard College, SUNY Purchase, NYU Tisch School of the Arts, the University of Illinois, the University of Kansas, the Joffrey Jazz and Contemporary Trainee Program, SEAD (Salzburg, Austria), and El Centro Cultural Los Talleres (Mexico City). Charleston has also enjoyed teaching yoga and movement for children and the elderly. Her choreographic work has been presented at venues in New York City, Illinois, Kansas, Missouri, Iowa, Arizona, and South America. A Fulbright Scholar in Santiago, Chile in 2008, she subsequently served as Peer Reviewer in Dance for the Fulbright organization. She holds an MFA from the University of Illinois, C-U. (BODY / SHADOW performances: Oct 2023, February 2025)

Savannah Jade Dobbs is a professional dancer and artist based in New York City. She holds a BFA in Contemporary Dance from the University of North Carolina School of the Arts (2021). Savannah's skill set is shaped by experiences with artists such as Douglas Dunn, The Merce Cunningham Trust, Shen Wei, Dafi Altabeb, Trisha Brown, Larry Keigwin, Juel Lane, and others. Savannah continues to develop her craft through workshops at institutions including the American Dance Festival, Bates Dance Festival, Movement Research, and Carolina Ballet. As a freelance dancer, she collaborates with artists across New York City, contributing to a variety of projects and exploring her passion for movement. In addition to her dance work, Savannah is a Pilates instructor, blending her passion for movement with her commitment to helping others strengthen their bodies and improve their well-being. (BODY / SHADOW performances: Oct 2023, February 2025)

Steph Jacco is an interdisciplinary artist who has her fingers in a number of different pies. A trained dancer and professional musician, she is interested in the intersections of dance, somatic studies, music, and film, particularly super 8 and 35mm. She received her masters in dance education at NYU’s Steinhardt School in 2023. Steph has been living in New York for over 2 years. Before this she was based in Western Massachusetts for 12 years, surrounded by the Holyoke Mountain Range and meadows of the Connecticut River. (BODY / SHADOW performances: Oct 2023, February 2025)

Originally from the Chicago area, Eve Jacobs is a dancer, choreographer, and educator based in NYC. Eve toured internationally with Jessica Lang Dance from 2015-2019, and is currently performing with Cornfield Dance and Douglas Dunn + Dancers. In addition, she has appeared in productions at the Metropolitan Opera, Washington National Opera, the Merce Cunningham Trust, and Buglisi Dance Theater. Her choreography has been featured at La Mama Experimental Theater Club, Ailey Citigroup Theater, and The Miller Theater at Columbia University, among other venues. Eve holds a BFA from The Juilliard School, where she received the Hector Zaraspe Award for Choreography, and an MFA from Hunter College, where her artistic research was recognized with the 2024 Dean’s Award for Outstanding Master’s Thesis. She serves on the dance faculty of both Hunter College and Marymount Manhattan College. (BODY / SHADOW performances: Oct 2023, February 2025)

Vanessa Knouse is a dance artist based in New York City. Originally from Santa Fe NM, she trained at the School of Aspen Santa Fe Ballet before earning her Bachelor of Fine Arts at The University of North Carolina School of the Arts. Vanessa has performed work with the Merce Cunningham Trust, Cornfield Dance, Graham Cole Dance, Bill Young/Colleen Thomas & Co., Garnet Henderson, Ian Spencer Bell, Douglas Dunn + Dancers, Susan Marshall Dance and Jody Oberfelder Projects. Vanessa has been a guest teaching artist at The University of North Carolina School of the Arts, Aspen Santa Fe Ballet, Nightingale Bamford School, New Mexico School for the Arts, Southern Vermont Dance Festival and Dewitt Clinton High School. She worked with Kimberly Bartosik/daela as her rehearsal assistant and has assisted Patricia Lent in staging event versions of Merce Cunningham's work. vanessaknouse.com (BODY / SHADOW performances: Oct 2023, February 2025)

Corinne Lohner (they/she) is a performing artist and dancemaker from Dallas, Texas. They freelance in NYC with companies like Yin Yue Dance Company, David Dorfman Dance, Douglas Dunn +  Dancers, and more. Notable past credits include Ririe-Woodbury Dance Company where they performed works by Stefanie Batten Bland, Raja Feather Kelly, and Andrea Miller amongst others. As a choreographer, they have received commissions from Oquirrh West Project, Sugar Space Arts Warehouse, InQUAD Dance, and more, and is currently a Performance Project fellow at University Settlement. They received their B.F.A. in Dance from New York University’s Tisch School of the Arts. (BODY / SHADOW performances: Oct 2023, February 2025)

Cassidy Martin grew up in Vermont, with dance experience from the Putney School. She put her dance career on pause after a dance injury, but with commitment to healing and relearning how to relate to the body, healing came and dance became her freedom. She spends a lot of time doing experimental improvisational movements, focusing on the various moods cultivated from the liberation of the body’s suffering. She has performed in her hometown in Vermont, as well as with Douglas Dunn in the Green-Wood Cemetery Catacombs series in Brooklyn. She is also a student and spends her time studying and building a yoga and writing career. (BODY / SHADOW performances: Oct 2023)

Emily Pope (she/they) is a New York based dance performer, choreographer, and videographer. She received a “Bessie” for Outstanding Performer in 2020. They currently work with Yoshiko Chuma, Douglas Dunn, Tamar Rogoff, Hilary Easton, and Tiffany Mills. She created HoverBound Productions in 2006, and their work was nominated for The Yard’s Residency in 2011. (BODY / SHADOW performances: Oct 2023, February 2025)

Deniz Erkan Sancak began dancing with the National Team of Turkiye for Latin American Dance sports and went on to receive full scholarships to study dance at Purchase College, SUNY. Deniz has worked with companies including Tatbikat Theatre, Opera Ballet Ankara, Peridance Contemporary Dance Company, Wonderbound (Ballet Nouveau Colorado) and Mark Morris Dance Group. Currently, he works with The Metropolitan Opera Ballet, Stephen Petronio Company, Liz Gerring, Douglas Dunn, Yoshiko Chuma, Christopher Williams, Ellen Cornfield and Emily Pope. (BODY / SHADOW performances: Oct 2023, February 2025)

Jin Ju Song-Begin is a choreographer, dancer, and dance teacher from Seoul, South Korea, whose work has been presented internationally in Korea, Japan, Singapore, and the U.S. Since moving to New York in 2010, her work has been shown in many venues in NYC. In 2012, she founded her dance company, Da-On Dance. In 2021, she created the dance film Bubble as part of the StuffedArts residency at Judson Church, and she was recently chosen to participate in the Rauschenberg Residency. She has danced for Tere O’Connor, Keith Thompson, Emily Berry, and Daniel Roberts and she participated in Joan Jonas’s Mirror Piece I & II (1969/2024) at MoMA. Currently she dances in NYC with Douglas Dunn + Dancers, Seán Curran Company, Cornfield Dance, Netta Yerushalmy and Big Dance Theater. Also, she’s starting at The Metropolitan Opera this season. (BODY / SHADOW performances: Oct 2023, February 2025)

Dongri Suh is a first year graduate student in NYU Steinhardt’s Dance Education program, pursuing a degree in ABT Pedagogy track. She graduated undergrad in Seoul Korea, Ewha Womens University BFA in contemprary dance. She had the opportunity to join Black Toe, a renowned dance company in Korea, where she actively contributed as a performer.  She looks forward to continuing her journey as both a performer and educator, with the goal of inspiring the next generation of dancers. (BODY / SHADOW performances: February 2025)

Mac Twining trained with Nadege Hottier at the Premiere Division Ballet School and grew up absorbing knowledge of release technique and postmodern dance through his mother, Darla Stanley. After completing his training, Mac danced with the Stephen Petronio Company for 5 years. He has also performed with Dakshina/Daniel Phoenix Singh Dance Company, Tania Pérez-Salas Compañía de Danza, the Merce Cunningham Trust, and the late, great, Aileen Passloff. In addition to Christopher Williams, Mac works with Tere O’Connor, Cornfield Dance and Kimberly Bartosik/Daela. (BODY / SHADOW performances: Oct 2023)

Timothy Ward grew up in Abita Springs, Louisiana, graduated high school at the New Orleans Center for the Creative Arts and subsequently earned a BFA in Dance from The Juilliard School. Tim was a final member of the Merce Cunningham Repertory Understudy Group from 2008-2011. During and since that time he has danced the work of over 30 different choreographers, working for extended periods with Pat Catterson, Molissa Fenley, Dǔsan Týnek, Tze Chun, Mary Seidman, Young Soon Kim, Alison Cook Beatty, Fadi J Koury, Julia Gleich and Yvonne Rainer. Tim worked on smaller projects with Wendy Osserman, Cori Kresge, Judith Moss, Lucie Baker, Carlye Eckert, Elizabeth Keen, Igal Perry, Sidra Bell, Jules Bakshi, Kira B-Z, Isabella Bruno, Brynt Beitman, Donna Salgado, Bo Pressly, Lily Baldwin, John Zurek, Gallim Dance, Mark Morris Dance Group, The Brooklyn Ballet and New York Theater Ballet. Tim teaches Cunningham Technique intermittently for the Cunningham Trust and at 100 Grand studio. He also teaches ballet at Good Move studio. Photographs of Tim are featured in Remembering a Dance: Parts of Some Sextets, 1965/2019 by Yvonne Rainer, Emily Coates, and Nick Mauss. Tim has danced with Douglas since 2008. (BODY / SHADOW performances: Oct 2023, February 2025)

Arthur “Trace” Yeames is honored to be returning to work with Douglas Dunn + Dancers. He recently worked with Petra Zanki in her piece, Till it Tear Us Apart. Trace spent two years in London earning his MFA from The London Contemporary Dance School/University of Kent, while performing with EDGE Dance Company. He received his BFA in Contemporary Dance from University of North Carolina School of the Arts (UNCSA) and previously graduated from UNCSA High School, studying classical ballet. Trace was a trainee at Charlotte Ballet and performed with Ballet Hawaii. The artist in Trace believes in connection, storytelling, community, exploration, and healing. (BODY / SHADOW performances: Oct 2023, February 2025)

PROP FABRICATOR

Jennifer Lippert is a fabric artist, specializing in the design and construction of clothing. She is currently the costume shop manager at Bloomsburg Theatre Ensemble. Working primarily in costumes she has worked for The Berkshire Theatre Group, Gulfshore Playhouse, Stagedoor Manor, Weston Playhouse Theatre Company, as well as Bucknell University. She has designed and built costumes for musicals and plays but has found a passion for working on costumes for dance. Jennifer graduated from Missouri State University’s Theatre and Dance department with a BFA in Design, Technology and Stage Management, emphasizing in costume design. jenniferlippertdesigns.com (BODY / SHADOW performances: Oct 2023)

COSTUME DESIGN AND CONSTRUCTION

Mimi Gross is a painter, set and costume designer, and teacher. Working in a variety of media, she has exhibited nationally and internationally. Her work is in numerous significant public and private collections, including those of the Metropolitan Museum of Art, the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, the Museum of Contemporary Art in Los Angeles, the Brooklyn Museum, the Jewish Museum, le Musée des Art Decoratifs in Paris, the Nagoya Museum of Art, the Onasch Collection in Berlin, the Lannan Foundation, and the Minneapolis Museum of Art, as well as the Fukuoko Bank in Japan, and New York’s Bellevue Hospital. Gross is the recipient of countless awards and grants including from the New York State Council on the Arts, the National Endowment for Visual Arts, the American Academy of Arts and Letters, and a New York Dance and Performance (Bessie) Award for sets and costumes. Recent exhibitions include North Norwegian Art Centre, Solvaer, Lofoten Islands, Norway, late spring/summer 2023. Gross gratefully received the Emily Harvey Foundation residence in Venice, 2024. Her teaching engagements include the Maryland Institute College of Art (MICA), the Art Institute of Chicago, RISD, and SUNY Purchase. She has collaborated with Douglas Dunn + Dancers since 1979, making sets and/or costumes for more than 25 of Dunn’s dances. Currently she is non-exclusively represented by Eric Firestone Gallery in New York.

Sue Julien is a visual artist and costumer. She has created costumes for Esmé Boyce Dance, choreographer Yara Travieso, Douglas Dunn and Dancers, Catherine Tharin Dance, Satellite Collective, Janis Brenner & Dancers and the singer Grace Weber. Ms. Julien received a BFA in Painting from Carnegie Mellon University and a MFA in Painting from The School of the Art Institute of Chicago. Her artwork has been exhibited in galleries in Brooklyn and Chicago as well as Brown University, The Art Institute of Chicago and the Indianapolis Museum of Art. Awards include a National Endowment for the Arts Fellowship for an Individual Artist, and an Illinois Arts Council Fellowship for an Individual Artist.  www.suejulien.com

Andrew Jordan made the Zebra costume.

LIGHTING COORDINATOR

Carol Mullins has designed lighting for several of Douglas Dunn's dances, and also a number of  Mimi Gross' costumes and sets. She has been designing lights at the Danspace Project since 1978. (BODY / SHADOW performances: Oct 2023).

Miriam Nilofa Crowe’s recent work includes Where Shall I Send My Joys? (Fly-by-Night Dance Theater), Earths to Come (BAC), playtem tsuzamen (Josh Waletzky), All of Me (Barrington Stage),Kennedy (film version and Off-Broadway),Teenage Dick (Ma Yi +The Public), Trial by Jury (Bronx Opera), Sanctuary (Lindsey Hanson Dance), Stop-Motion, Mirrors and Charlie’s Waiting (Parity Productions), Hurricane Party (The Collective NY), SeagullMachine and home/sick (The Assembly),This is Modern Art and Platonov (Blessed Unrest), Anna (Dǔsan Týnek), PS 160 (Gabrielle Mertz), 6 Characters… (Theodora Skipitares), 2Hymnvb (Anneke Hansen),The Penalty (The Apothetae), Medea (Bryan Davidson Blue), and Symphony for the Dance Floor (BAM). She recently produced a short film, Bigby’s Dead Bunny (Brown Brick Manifestations). She has an MFA from Yale School of Drama and is an Adjunct at Lehman College CUNY and NYU Tisch Drama. www.wingspace.com/miriam (BODY / SHADOW performances: February 2025)

PRESS REPRESENTATIVE

Janet Stapleton
stapleton.janet@gmail.com